Anderson Valley AdvertiserAugust 13, 2003

A Confidence Game on Iraq

War Pimps

by Jeffrey St. Clair

Iago: He thinks men honest
That do but seem to be so.
                 — Othello

The war on Iraq won't be remembered for how it was waged so much as for how it was sold. It was a propaganda war, a war of perception management, where key phrases, such as Weapons of Mass Destruction and Rogue State, were used like precision weapons on the target audience: us.

To understand the Iraq war you don't need to consult generals, but reformed spin doctors or, in this case, two of the most seasoned investigators into the dark arts of political propaganda, John Stauber and Sheldon Rampton.

Stauber and Rampton run PR Watch, the Madison, Wisconsin-based group that keeps tabs on the nefarious schemes of the global PR industry to sugarcoat useless, costly and dangerous products. They have also written three of the most important non-fiction books of the last decade. In 1995, they published Toxic Sludge is Good For You, a detailed expose of how the PR industry plots and executes campaigns to greenwash corporate malfeasance. This was followed by the prescient Mad Cow USA. Last year, they produced Trust Us We're Experts, a grim and exacting account of the way scientists-for-hire are deployed to rationalize the risks of dangerous products and smear opponents as know-nothings and worrywarts.

Now comes their exquisitely timed Weapons of Mass Deception: The Uses of Propaganda in Bush's War on Iraq. Here Stauber and Rampton give us an immediate history, a real-time deconstruction of the mechanics of the Bush war machine. This extravagantly documented book is a chilling catalogue of lies and deceptions, which shows the press contretemps over the Niger yellowcake forgeries to be but a minor distraction given the outlandish frauds pullulating daily from the White House and the Pentagon. The history Rampton and Stauber recounts is every bit as groundbreaking as Chomsky and Herman's Manufacturing Consent and War Without Mercy, John Dower's riveting account of the vile uses of propaganda against Japan during World War II. Weapons of Mass Deceptions shreds the lies, and the motives behind them, as they are being told and describes the techniques of the cover-up as they are being spun.

Stauber and Rampton cut through the accumulated media fog to reveal how the war was conceived and the media battle plan developed and deployed. They identify the key players behind the scenes who stage-managed the countdown to war and follow their trails back through the murky corridors of Washington where politics, corporate spin and psy-ops spooks cohabit.

The Bush team of neo-con hawks viewed the Iraq war a product and, just like a new pair of Nikes, it required a roll-out campaign to soften up the consumers. Stauber and Rampton demonstrate in convincing and step-by-step detail how the same techniques (and often the same PR gurus) that have been used to hawk cigarettes, SUVs and nuclear waste dumps were deployed to retail the Iraq war.

To peddle the war, Donald Rumsfeld and Colin Powell and company recruited public relations gurus into top-level jobs at the Pentagon and the State Department. These spin meisters soon had more say over how the rationale for war on Iraq should be presented than intelligence agencies and career diplomats. If the intelligence didn't fit the script, it was either shaded, retooled or junked.

Take Charlotte Beers who Powell tapped as Undersecretary of State in the post-9/11 world. Beers wasn't a diplomat. She wasn't even a politician. She was the grand diva of spin, known on the business and gossip pages as "the queen of Madison Avenue." On the strength of two advertising campaigns, one for Uncle Ben's Rice and another for Head and Shoulder's dandruff shampoo, Beers had rocketed to the top of the heap in the PR world, heading two giant PR houses Ogilvey and Mathers as well as J. Walter Thompson.

At the state department, Beers, who had met Powell in 1995 when they both served on the board of Gulf Airstream, worked at, in Powell's words, "the branding of US foreign policy." Beers extracted more than $500 million from congress for her Brand America campaign, which largely focused on beaming US propaganda into the Muslim world, much of it directed at teens.

"Public diplomacy is a vital new arm in what will combat terrorism over time," said Beers. "All of a sudden we are in this position of redefining who America is, not only for ourselves, but for the outside world." Note the rapt attention Beers pays to the manipulation of perception, as opposed, say, to alterations of US policy.

Old-fashioned diplomacy involves direct communication between representatives of nations, a conversational give and take, often fraught with deception (see April Glaspie), but an exchange none-the-less. Public diplomacy, as defined by Beers, is something else entirely. It's a one-way street, a unilateral broadcast of American propaganda directly to the public, domestic and international -- a kind of informational carpet-bombing.

The themes of her campaigns were as simplistic and flimsy as a Bush press conference. The American incursions into Afghanistan and Iraq were all about bringing the balm of "freedom" to oppressed peoples. Hence, the title of the US war: Operation Iraqi Freedom, where cruise missiles were depicted as instruments of liberation. Bush himself distilled the Beers equation to its bizarre essence: "This war is about peace."

Beers quietly resigned her post a few weeks before the first volley of tomahawk missiles battered Baghdad. From her point of view, it war itself was already won, the fireworks of shock and awe were all afterplay.

Over at the Pentagon, Donald Rumsfeld drafted Vitoria "Torie" Clarke as his director of public affairs. Clarke knew the ropes inside the Beltway. Prior to becoming Rumsfeld's mouthpiece, she had commanded one of the world's great parlors for powerbrokers: Hill and Knowlton's DC office.

Almost immediately upon taking up her new gig Clarke began having regular meetings with a select group of Washington's top private PR specialists and lobbyists to develop a marketing plan for the Pentagon's forthcoming terror wars. The group was filled with heavy-hitters and was strikingly bi-partisan in composition. She called it the Rumsfeld group and included PR executive Sheila Tate, columnist Rich Galen, and Republican political consultant Rich Galen.

The brain trust also boasted top Democratic fixer Tommy Boggs, brother of NPR's Cokie Roberts and son of the late Congressman Hale Boggs of Arkansas. At the very time Boggs was conferring with top Pentagon brass on how to frame the war on terror, he was also working feverishly for the royal family of Saudi Arabia. In 2002 alone, the Saudis paid his Qorvis PR firm $20.2 million to protect its interests in Washington. In the wake of hostile press coverage following the exposure of Saudi links to the 9/11 hijackers, the royal family needed all the well-placed help it could buy. They seem to have gotten their money's worth. Bogg's felicitous influence peddling may help to explain why the damning references to Saudi funding of al-Qaeda were redacted from the recent congressional report on the investigation into intelligence failures and 9/11.

According to the trade publication PR Week, the Rumsfeld Group sent "messaging advice" to the Pentagon. The group told Clarke and Rumsfeld that in order to get the American public to buy into the war on terrorism they needed to suggest a link to nation states, not just nebulous groups such as al-Qaeda. In other words, there needed to be a fixed target for the military campaigns, some distant place to drop cruise missiles and cluster bombs. They suggested the notion (already embedded in Rumsfeld's mind) of playing up the notion of so-called rogue states as the real masters of terrorism. Thus was born the Axis of Evil, which, of course, wasn't an "axis" at all, since two of the states, Iran and Iraq hated each other, and had nothing at all to do with the third, North Korea.

Tens of millions in federal money were poured into private public relations and media firms working to craft and broadcast the Bush message that Saddam had to be taken out before the Iraqi dictator blew up the world by dropping chemical and nuclear bombs from long-range drones. Many of these pr executives and image consultants were old friends of the high priests in the Bush inner sanctum. Indeed they were veterans, like Cheney and Powell, of the previous war against Iraq, another engagement that was more spin that combat.

At the top of the list was John Rendon, head of the DC firm the Rendon Group. Rendon is one of Washington's heaviest hitters, a Beltway fixer who never let political affiliation stand in the way of an assignment. Rendon served as a media consultant for both Michael Dukakis and Jimmy Carter, as well as Reagan and George H.W. Bush. When the Pentagon wanted to go to war, he offered his a price. During Desert Storm Rendon pulled in $100,000 a month from the Kuwaiti royal family. He followed this up with a $23 million contract from the CIA to produce anti-Saddam propaganda in the region.

As part of this CIA project, Rendon created and named the Iraqi National Congress and tapped his friend Ahmed Chalabi, the shady financier, to run the organization.

Shortly after 9/11, the Pentagon handed the Rendon Group another big assignment: public relations for the US bombing of Afghanistan. Rendon was also deeply involved in the planning and public relations for the pre-emptive war on Iraq, though both Rendon and the Pentagon refuse to disclose the details of its work there.

But it's not hard to detect the manipulative hand of Rendon behind many of the war's signature events, including the toppling of the Saddam statue (by US troops and Chalabi associates) and videotape of jubilant Iraqis waving American flags as the 3rd Infantry rolled by them. He pulled off the same stunt in the first Gulf War, handing out American flags to Kuwaitis and herding the media to the orchestrated demonstration.

The Rendon Group may also have had played a role in pushing the phony intelligence that has now come back to haunt the administration. In December of 2002, Robert Dreyfuss reported that the inner circle of the Bush White House preferred the intelligence coming from Chalabi and his associates to that being proffered by analysts at the CIA.

So Rendon and his circle represented a new kind of off-the-shelf psy-ops, the privatization of official propaganda. "I am not a national security strategist or a military tactician," said Rendon. "I am a politician, and a person who uses communication to meet public policy or corporate policy objectives. In fact, I am an information warrior and a perception manager."

What exactly, pray tell, is perception management? Well, the Pentagon defines it this way: "actions to convey and/or deny selected information and indicators to foreign audiences to influence their emotions, motives and objective reasoning."

In other words, lying about the intentions of the US government. In a rare display of frankness, the Pentagon actually let slip its plan (developed by Rendon) to establish a high-level den inside the Department Defense for perception management. They called it the Office of Strategic Influence and among its many missions was to plant false stories in the press.

Nothing stirs the mainstream into a frenzy of pious outrage like an official government memo bragging about how the media is manipulated for political objectives. So the New York Times and Washington Post threw indignant fits about the Office of Strategic Influence, the Pentagon shut down the operation and the press gloated with satisfaction on its victory. Yet, Rumsfeld told the Pentagon press corps that while he was killing the office, the same devious work would continue. "You can have the corpse," said Rumsfeld. "You can have the name. But I'm going to keep doing every single thing that needs to be done. And I have."

At a diplomatic level, despite the hired guns and the planted stories, this image war was lost. It failed to convince even America's most fervent allies and dependent client states that Iraq posed much of a threat. It failed to win the blessing of the UN and even NATO, a wholly-owned subsidiary of Washington. At the end of the day, the vaunted coalition of the willing consisted of Britain, Spain, Italy, Australia, and a cohort of former Soviet bloc nations. Even so the citizens of the nations that cast their lot with the US overwhelmingly opposed the war.

Domestically, it was a different story.

A population traumatized by terror threats and shattered economy became easy prey for the saturation bombing of the Bush message that Iraq was a terrorist state linked to al-Qaeda that was only minutes away from launching attacks on America with weapons of mass destruction.

Americans were the victims of a con job, hit with a daily barrage of threat inflation, distortions, deceptions and lies. Not about tactics or strategy or war plans, but about justifications for war. The lies were aimed not at confusing Saddam's regime, but the American people. By the start of the war, 66 percent of Americans thought Saddam Hussein was behind 9/11 and 79 percent thought he was close to having a nuclear weapon.

Of course, Saddam was not even close to having a nuke. Iraq didn't have any weaponized chemical or biological weapons. In fact, it didn't even have any SCUD missiles, despite erroneous reports fed by Pentagon PR flacks alleging that it had fired SCUDs into Kuwait.

All this wouldn't have worked without a gullible or a complicit press corps. Victoria Clarke, who developed the Pentagon plan for embedded reports, put it succinctly a few weeks before the war began: "Media coverage of any future operation will to a large extent shape public perception."

What the Pentagon wanted was a new kind of living room war, where instead of photos of mangled soldiers and dead Iraqi kids, they could control the images and to a large extent the content. By embedding reporters inside selected divisions, Clarke believed the Pentagon could count on the reporters to build relationships with the troops, to feel dependent on them for their own safety. It worked. One embedded reporter, the late David Bloom of NBC, said on the air that he was willing to do "anything and everything they can ask of us."

Few newspapers fanned the hysteria about the threat posed by Saddam's weapons of mass destruction as sedulously as did the Washington Post. In the months leading up to the war, the Post's pro-war op-eds outnumbered the anti-war columns by a 3 to 1 margin.

Back in 1988, the Post felt much differently about Saddam and his weapons of mass destruction. When reports came out about the gassing of Iranian troops, the Washington Post editorial page shrugged it off, calling the mass poisoning "a quirk of war."

The Bush team displayed a similar myopia. When Iraq possessed and used chemical weapons in grisly attacks on Iran and Iraqi Kurds, the US government not only didn't object, it encouraged Saddam. Anything to punish Iran was the message from the White House. Donald Rumsfeld himself was sent as President George Bush's personal envoy to convey the bold message than an Iraq defeat would be viewed as a "strategic setback for the United States." This sleazy alliance was sealed with a handshake, which was caught on videotape. When CNN reporter Jamie McIntyre replayed the tape for Rumsfeld in the spring of 2003, the secretary of defense snapped, "Where'd you get that? Iraqi television?"

The current crop of Iraq hawks also saw Saddam much differently then. Take the writer Laura Mylroie, sometime colleague of the New York Times' Judy Miller, who persists in peddling the ludicrous conspiracy that Iraq was behind the 1993 bombing of the World Trade Center. How times have changed. In 1987, Mylroie felt downright cuddly toward Saddam. She penned an article for the New Republic titled "Back Iraq: Time for a US Tilt in the Mideast," arguing that the US should publicly embrace Saddam's secular regime as a bulwark against the Islamic fundamentalists in Iran. The co-author of this mesmerizing weave of wonkery was none other than the minor demon himself, Daniel Pipes, perhaps the nation's nastiest Islamophobe. "The American weapons that Iraq could make good use of include remotely scatterable and anti-personnel mines and counterartillery radar," wrote Mylroie and Pipes. "The United States might also consider upgrading intelligence it is supplying Baghdad."

Here's a story that sums up how the networks sought to commercialize the Iraq war and profit from the invasion just like the oil companies. On the eve of the war, MSNBC fired talk show host Phil Donahue. They replaced the Donahue show with a running segment called Countdown: Iraq, featuring the usual nightly coterie of retired generals, security flaks and spin doctors. The network's executives blamed the cancellation on sagging ratings. In fact, during its run Donahue's show attracted more viewers than any other program on the network. The real reason for the pre-emptive strike on Donahue was spelled out in an internal memo from anxious executives at NBC. Donahue, the memo said, offered "a difficult face for NBC in a time of war...He seems to delight in presenting guests who are anti-war, anti-Bush and skeptical of the administration's motives."

The memo warned that Donahue's show risked tarring MSNBC as an unpatriotic network, "a home for liberal anti-war agenda at the same time that our competitors are waving the flag at every opportunity." So, with scarcely a second thought, the honchos at MSNBC gave Donahue the boot and hoisted the battle flag.

It's war that sells.

There's a helluva caveat, of course. Once you buy it, there are no returns.

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